Best Microphone For Voice Over 2021: Top Brands Review

Best Microphone For Voice Over 2021 Top Brands Review

Voice-over is a career that requires dedication and practice. There are many variables in the voice-over industry, so it’s essential to know what you need before starting.

The best microphone for voice over is an essential tool and can make or break your audio quality. Here we’ll explore some of the different types available, as well as a few options for both beginners and professionals alike.

The difference between condenser microphones and dynamic microphones will also be discussed, along with other considerations such as overall pricing, battery life, intended use (for home studio vs. live performances), wireless capability, noise cancellation technology, features like mute buttons, and gain controls – all of which can help you find the best mic for voice-overs. 

Guides For Buying

Budget

The most important thing to remember when making a purchase is money. However, we want you to be aware that it will make a difference in how well the microphone works for you.

Guides For Buying best microphone for voice-over

If you consider this a career or even a lifelong endeavor, spending a little extra to get a microphone with a good sound quality will make you stand out from the rest. It is the number one priority in voice-overs. It is not like an out-of-shape police officer offering — they are visible and disappear quickly.

Types Of Microphone

No questions asked. We recommend a condenser mic regardless of the situation. You can connect it via USB or by using an XLR cable and port. We would choose an XLR microphone if given a choice.

The ease-of-use and plug-and-play capabilities of USB microphones make them excellent choices. Many (which we highly recommend) also offer excellent quality.

An XLR connector allows you to connect with an external device that can provide phantom power. A phantom power supply is also available, but we prefer an audio interface or a microphone preamp.

These are unparalleled benefits and can’t be achieved with USB mics (you can not hook up USB microphones to audio interfaces, preamps, or preamps).

You can adjust gain, add FX and tweak your sound further instead of relying solely on post-production in music software. Even for those with a lower budget, USB mics can still be used.

Do You Need Other Gear?

Sometimes a microphone for voice-overs is not enough. You can use a USB mic to record voice-overs. It’s possible to plug it into your computer or laptop.

When referring to other gear, it means the equipment you might already own or not even know you need, such as headphones and specific cables.

This is important for budget reasons and because you don’t want to receive your microphone and find out that it can’t be used yet. If you are looking to buy more than a microphone, we recommend the following microphone packages. You can also shop for them individually.

What Accessories Should I Have With My Microphone?

It’s almost there! We are almost there. This section will be brief. You will need a few things that are obvious and some things that are not. Here’s a quick list. These are the things you will need:

Accessories Microphone

A microphone stand:

This doesn’t have to be fancy. It can just be a basic boom mic stand that will cost you around PS20. A floor-mounted microphone stand is better than one that is mounted on your computer.

This is because there will be sound from your computer and movement to the voice-over microphones while you record. It’s not worth spending more than PS100 on equipment and then skimming at the last moment.

Headphones:

Although this may seem obvious, you’ll need headphones to ensure you get good sound quality through your headphones. You can also use headphones to record yourself if you’re recording on your own. It is worth investing in quality closed-back headphones like Sennheiser or AKG.

Shock mount:

A shock mount will prevent vibrations from traveling through the microphone stand and pick-up by the microphone. This reduces background noises significantly.

Many of the microphones mentioned above come with shock mounts. However, if you choose one of the more expensive mics, you will need one. Although shock mounts are very affordable, you can get very sturdy shock mounts that hold many microphones.

Pop shield:

This is a must-have for voice-overs. To capture as much auditory detail as possible, the voice actor should be recorded close to the microphone.

However, being too close to the microphone can cause puffs of air to buffet the microphone, mainly when you use plosive sounds such as be or up and a variety of sibilant sounds like to and s.

Pop shields can help reduce this risk, so even if you have to compromise on other aspects of your purchase, it is worth investing in one. Pop shields are pretty affordable, often priced around PS12, so there is not much to gain from more expensive pop shields.

Read more: How To Make A Microphone Stand? Top Full Guide 2021

Top Best Microphones For Voice-Over

Townsend Labs Sphere – L22

Two mic capsules are included in the Townsend Labs Sphere L22 professional microphone for voice-overs. The one at the front captures sound waves, while the other captures sound from the rear.

This allows the mic to capture distance and direction information that would otherwise go unrecorded with a single capsule microphone. The mic’s sound capture is very accurate and reflects the response of the original mics (which are included in the software models).

The precision modeling system Sphere L22 mic combines the dual-channel microphone with an audio plug-in for a digital audio workstation. The software acts as a digital signal processing (DSP). The software plug-in allows users to modify the mic model settings (including the polar pattern) even after record.

Why Picked It:

The Sphere L22 analog modeling microphone records a 360o image.

It works well with the Universal Audio Apollo interface. The microphone for voice-overs has an XLR cable, which can be split into a stereo pair to input the audio interface.

The DSP software can model the characteristics and properties of more than 30 types of mics.

Who It’s For:

This mic is for severe audiophiles and professional audio engineers. Although it is expensive, this mic can be used as a substitute for a mic collection which can run up to 20 times higher.

Neumann TLM103

The TLM 103 microphone is an excellent choice for the music industry. It has a large-diaphragm condenser that can be used pro or semi-pro.

It is my favorite voice-overs microphone! The TLM 103 uses the same classic transformerless circuit in many Neumann models and combines high sound pressure with noise reduction.

This universal cardioid polar pattern has a large-diaphragm condenser design and is easy to use. It also produces low self-noise. The TLM is also resistant to pop and plosives. These features make the mic ideal for many applications, including studio recording and professional broadcasting.

Why Picked It:

The Neumann TLM 103 capsule is derived from the Neumann U87 but at a significantly lower cost. This mic has a timeless sound loved by broadcasters and voice-overs professionals without requiring a large budget.

It shined brightly when I concentrated on the highest frequency range. My voice acting was clear and clean, with no buzzing or harsh overtones.

The Neumann has an excellent dynamic range. This mic recorded everything, from radio spots to narrations at various volume levels, with excellent results.

Who It’s For:

It is recommended to professional voice-overs artists who don’t have the budget to buy a Neumann U87 mic or want the Neumann sound in modern microphones.

This mic is an excellent choice for home studio fans who want a more affordable alternative to expensive broadcast mics.

This is a comparison between the Neumann TLM 103, TLM 102, and the CAD-e100 from Mike DelGaudio. Compare these mics, and you’ll be able to make a decision.

Sennheiser MKH416-P48U3

The Sennheiser Mic has been used in professional studios. It is known as the “gold standard” and is ideal for both road trips and outside recording. It is equipped with feedback suppression and delivers exceptional sound quality and ease of use. It can be used as part of your home studio equipment. It’s easier than ever.

Why Picked It:

Sennheiser MKH416P48U3 can capture clear vocals while recording natural ambiance. It is a must-have piece of gear for anyone who needs a microphone to record vocals in a crowd.

During testing, this mic rejected feedback to provide clear audio in monitoring environments. Even though I was near monitors, I did not encounter any issues and noticed any feedback during post-production.

Sennheiser MKH416P48U3 has high directivity, which allows me to pick the right source of audio. It was easy to reposition the microphone when the scene changed, and I quickly could target the correct vocalist without compromising sound quality.

Who It’s For:

The Sennheiser MKH416P48U3 is a particular mic designed for television, film, and live broadcast environments. I recommend it only to on-set audio specialists. This mic is not recommended for use in a studio environment.

Voice-overs artists may use it while recordings, but it’s not something you’d want to use in a singing room. The MKH416P48U3 can be used in a studio to capture overhead ambiance for specialty vocal recordings.

Avantone Pro CV-12

Do you care about having transparent, digital audio? You want warmth and a vintage, vintage, and ‘warmer” feel to your voice-overs. Let’s talk about the classic tube microphone, which is one of our favorite ever.

Although the CV-12 is still a studio mic with an XLR connector that requires phantom power and a microphone, it has a unique inside design than most of the others in this guide.

Tube microphones are unique. These microphones have a tube-shaped inside that converts sound into data. While some people argue this is subjective and ‘nonsense, others swear by it. To get an idea of which one you prefer, we recommend that you try both types on your own.

The CV-12, despite what some may claim, is still a solid microphone, tube or no. The CV-12 is praised for its rugged build, small size, and high-quality sound. If you are looking for a unique sound, the Avantone Pro CV-12 is the right choice.

Why Picked It:

The 440 Pure is very clean and has the perfect amount of EQ. You can achieve a profound voice acting effect by adjusting the compression and dropping the lows a bit. If you don’t like the lows in your vocals, the bass roll-off switch can be helpful. It can also be used to start a recording for time savings.

Who It’s For:

The Lewitt LCT440 Pure microphone is ideal for singers who prefer a straightforward, crisp-sounding voice with minimal coloration. The shock mounts system makes this microphone an excellent choice for people who want pop filters.

Harlan Hogan VO

Harlan Hogan VO is an excellent option for novice producers and voice actors. You will also receive a hard case, shockmount, XLR cable, quick clip mount, and two replacement mounting bands. The device supports both a USB-style or XLR connection. It can be plugged into an audio interface at home or in a studio and used as a standalone USB mic on the go. Very convenient.

Why Picked It:

Marshall Electronics manufactured it. Harlan Hogan, a voice-overs legend, created it. No matter what kind of vocal performance, the frequency response is perfect for the human voice.

Harlan Hogan VO delivered a silky, high-end audio recording that was crystal clear and without any harshness.

This mic’s Class A circuitry gives it the best performance and ensures consistency in each take. When monitoring and post-production of my voice-overs took, I didn’t hear any noises. This is a big deal when using the Harlan Hogan VO in conjunction with a pre-amp budget.

Who It’s For:

The Harlan Hogan VO was explicitly designed for voice-over artists. This mic is also great for solo podcasting in studio environments. However, I wouldn’t recommend recording instruments because of the frequency response tuning.

sE Electronics sE2200a

The sE Electronics sE2200a condenser microphone is powerful and quiet. This model pop filters out background noises efficiently. The shock mount is also included. It is highly recommended due to its ability to record versatile tones and voices and its warm sound and pleasant appearance.

Why Picked It:

Two diaphragms are used in the sE Electronics sE2200a to improve acoustic pickup. This allows for enhanced vocal recording in isolated settings as well as treatment of untreated areas. This feature expands the mic’s dynamic range, which I love.

This mic is affordable for professionals and those just starting in the recording and voice-over industries.

The sE2200a can cover the entire frequency spectrum and features switchable polar patterns. These options give you greater control over the recording depending on group size, direction requirements, and environment.

Who It’s For:

The sE2200a is great for a professional voice-over career. This mic also excels in sound design and instrumental recording. This mic is an excellent choice for professional and home studios. It picks up sharp detail in the high-end and is a great choice.

This mic is also great for recording solo vocals. It has a smooth quality that’s unmatched by other microphones within the same price range.

Heil PR-40

The Heil PR 40 dynamic microphone is designed for professional applications such as live recording or commercial broadcasting.

This dynamic microphone has a wide frequency range, which is why it beats many condenser mics. It can handle large amounts of SPL, and it also supports natural voice articulation.

Why Picked It:

Heil created the PR-40 with a flat response. This is great for recording natural sounds and uncolored sounds. This benefits audio engineers, sound designers, and voice-over artists who need to create a particular sound in a post.

The mic can also produce muddy lows or harsh highs between 28Hz-18kHz. During testing, I found this tuning to be very compatible with my voice. The lack of coloration allowed me to concentrate on the performance and not balance highs and lows.

Some microphones are equipped with chrome plating and gold, which oozes sophistication and craftsmanship.

Who It’s For:

The flat response of this mic and the ability to modify the sound of recordings in the post make it a great addition to any sound designer’s cabinet. The Heil PR-40 is one of the excellent microphones for voice-over artists, who need to perform naturally and not have to alter their performance in any way.

Focusrite Scarlett 2i2 Studio

Focusrite Scarlett 2i2 Studio comes in a different package from what you would get with other purchases. We said package because you get not only the mic but also the corresponding gear. This package is an excellent option if you start voice-over recording and want gear at a reasonable price.

You’ll receive the Scarlett 2i2 Audio Interface, which is very popular among audiophiles because of its low price.

Why Picked It:

It converts audio at 24-bit and 192kHz. You can plug in two microphones, which is great for podcasters and doing voice-overs with others.

The package also includes a monitor and a headphone knob. The Focusrite Scarlett 2i2 Studio seems to be the gift that keeps giving. What about the microphone for voice-overs?

The microphone is quite good and will record clear audio. You shouldn’t expect to get the same performance as the condenser mics at the high-end.

However, this does not mean that the mic is terrible. I’m confident that the CM25 microphone is good enough to be used professionally.

The HP60 closed-back headphones are the best microphone for voice-over. These headphone mics are excellent at canceling out outside noises. These headphone mics prevent audio recordings from being mixed up with outside noise.

Who It’s For:

The Scarlett 2i2 Studio is an impressive package. It includes everything that a voice-over artist needs to get started. The best part is the price. We highly recommend this.

Lewitt 440 Pure

The 440 is a sleek, simple, well-constructed, and highly efficient cardioid microphone. It retails at $269. It’s perfect for recording voice-overs due to its clarity and detail. The maximum sound pressure level of 140 dB SPL makes it ideal for recording instruments or vocals. This helps to avoid distortion from loud sources.

The 440’s bass response is rich and deep for its proximity effect. It never sounds muddy, and the slight boost to its high-end frequencies makes it sound bright and clean. This confirms its name.

It’s almost impossible to find anyone who doesn’t like the 440. Like the NT1’s 7dBA noise floor and the 440, the 440 comes with a shock mounting, 3/8 to 5/8″ mic stand adapter magnetic pop filter, windshield, and a protective bag.

Synco D2

The Synco D2 is a budget option to the Sennheiser MKH416 ($1,000) and is a hyper-cardioid shotgun microphone. It is a very forgiving condenser mic, which is ideal for VO beginners’ home studio.

The frequency response rate of this mic is similar to that of the 416, but it has a slightly higher top end and a flat frequency response. It also has a low noise floor thanks to its extreme directionality and rich proximity effect. This makes it great for commercial readings, promo, narration, and commercial reads.

The Synco D2’s shotgun shape makes it an excellent microphone for filmmaking, especially if you have a boom pole or self-tapes. It will still capture your voice even if it is placed outside of the frame.

This condenser mic would be my go-to microphone if I was traveling and had to record. The Synco D2 includes a high-quality travel case, mic clip, and a short XLR Cable.

Why Picked It:

The Synco D2 is a crisp, clear-sounding product that sounds like a pop filter. It also has zero latency headphones monitoring, making it ideal for beatboxers who want their music to be heard live and not through their microphone.

Who It’s For:

The D2 is a must-have for any professional beatboxer. Being able to hear your voice and record in real-time without latency is rare. Beatboxers also need this feedback more than other music genres because you can hear every error live. People looking for a microphone that has a pop filter may be interested in the Synco D2.

Rode NT1A

Rode NT1A is beloved by various voice-over talents, instructional designers, and audio lecturers from all walks. Audiobook Creation Exchange (ACX) recommends it. This is a group for audiobook producers, authors, engineers, and narrators involved in audiobook delivery.

Although the mic is priced at a reasonable price, it has a professional feel. The Rode NT1A Condenser can record high-quality audio and have impressive dynamic microphones.

A bundle includes a shock mount, a DVD, and a microphone. This disc contains helpful audio recording tips and tricks for both beginners and professionals.

Why Picked It:

This dynamic mic reproduced nuances better than other voice-over microphones in its category when recording voice-over takes. Rode NT1A has a low noise shelf of 5dB(A). This mic delivers clarity that sparkles when used in a vocal box.

Rode NT1A comes with an internally shock-mounted capsule. I found this to be a great feature that helped reduce the self-noise of the mic and when recording. The shock mount protected the capsule and sound waves during transport and positioning.

Rode provided a standard package that included various audio accessories such as a mic dust cover and shock mount. These add-on benefits reduce cost and expand performance options.

Who It’s For:

This mic is recommended to home studio engineers because of its ability to pair up with almost any digital audio workstation application.

The Rode NT1A can be used in a well-isolated environment and offers the same level of clarity and detail as condenser microphones, but at a fraction of the cost. This mic is ideal for both amateur and professional voice-overs.

Rode Procaster

The Procaster is ideal for YouTube videos, audiobook recordings, and long narrations.

This model has a precise polar pattern and a tailored frequency response. This mic is robust and has excellent noises reduction. Its high-output dynamic capsule guarantees its best qualities as a broadcast or voice-over microphone. To minimize plosives, the capsule comes with a pop filter.

Why Picked It:

Rode Procaster’s frequency response is tuned to increase the range of human voices. Rode spent a lot of time testing the frequency roll-off frequencies, and I was impressed—the bottom end drops after 75Hz, and the top end peaks at 18kHz.

It is one of the best microphones used for voice-over work. However, I was able to use it on instrumental recordings and was pleased with the results. This mic is great for use in a room, but it also works well with guitar and bass cabinets.

The mic’s low-impedance output allows for control of character and placement options. This makes it an indispensable piece of gear for voice-over artists to record in various spaces throughout a project.

Who It’s For:

The Procaster is a microphone that was specifically designed to enhance the voice of voice-over artists. Podcasters may also benefit from the Procaster, enhancing voices and giving them a professional sound with minimal post-production. This is one of the great mics for recording in dynamic environments such as drum rooms.

Blue Yeti Pro

The Blue Yeti Pro microphone is easily the best USB microphone on the market. Paired with the right sound-card, it’s one of the best studio recording mics available.

It has four different pattern modes to choose from, and its heavy metal build feels like you could run over it with your car, and it would still be fine (ok, maybe not).

Why Like It

I own the Yeti Pro, and it’s what I use to record my voice-overs. There is one of the cheaper microphones available, but in my opinion, you will only notice those extra couple of dollars on your wallet once you’ve used this mic for a while. I went through several different microphones (including USB ones) before settling on the Yeti Pro.

Who’s It For

This is easily the best microphone for anyone who wants to record their voice professionally in a studio. It’s not only good when it comes to gamers streaming (for example) but also podcasters or people that want to do more with their voice.

PreSonus AudioBox Studio

We wanted to add one more package for voice-over microphones before we end our guide. Apart from the Focusrite pick, the AudioBox Studio bundle is another big player in the bundle market.

It includes a microphone (XLR), an audio interface (their beloved AudioBox), closed-back, over-ear headphones, and the cables (XLR, USB, to power the interface).

This package is approximately fifty dollars cheaper than the 2i2 Studio. If you are looking to save money on voice-overs, this package is your best microphone for voice-over option.

This package is for intermediate to advanced voice-over artists who wish to save time and avoid the hassle of purchasing it all at once. If it suits your needs, we love the PreSonus AudioBox Studio.

Why Picked It:

My home studio is small and cramped. I decided to get the PreSonus audio box studio when my old microphone (a very cheap one) broke. The result is excellent. I don’t record much, just a little voice-over for my videos. I am satisfied with the quality and the price.

Who It’s For:

This microphone is for anyone looking to create a home studio at an affordable price. Anyone can use it to record their home videos or home productions.

Blue Yeti USB

Yeti USB condenser microphone is my personal choice in this category. It has excellent sound quality, multiple pattern selections (cardioid and bidirectional) and is my favorite.

This is one of a kind. A high-quality USB mic suitable for standard home settings can be purchased for just a little over 100 dollars. Microphones Yeti has four recording modes and a superior sound for its price.

The Blue USB Mics is a well-built and feature-packed product that’s an excellent choice for amateur audio lecturers who don’t have the resources or time to set up a professional studio.

Why Picked It:

The Blue Yeti is affordable for almost all budgets, but it’s also built with quality components and backed up by the Blue name.

The USB mic is versatile enough to be used for podcasting and general audio recording. You can switch between four polar patterns to find the perfect setting for your voice.

The Yeti’s size is ideal for traveling. This mic can be used to record interviews in the field with my mobile workstation or connected to a tablet via an adapter to record voice conversations in any environment.

Who It’s For:

The Yeti is an excellent choice for YouTubers and podcasters. Its plug-and-play capabilities make available recording easy.

This mic is an excellent choice for voice-over artists that need to create quick demos either in-studio or out in the field. This mic is an excellent complement to any desktop and is an excellent choice for studio set designers.

Stellar X2

TechZone Audio redesigned the vintage Neumann U67 mic (an industry-standard, some call it the u87) for $200. This condenser mic, which is budget-friendly and large-diaphragm, has a cardioid pattern. It’s ideal for music, animation, interactive, and other genres that require movements beyond being in front of the microphone’s diaphragm.

Because the X2 has a balanced frequency response, the sound is clear and neutral. This eliminates the harshness many condenser mics can produce.

Voice actors can deliver raw audio files to clients without adding color. This allows them to show the best representation of their voice and allows for easy post-processing if needed.

The large-diaphragm Stellar X2 sounds most like the Neumann TLM 102 microphone, which costs $700. The X2 includes an aluminum flight case and a quality spring shock mount. It also comes with a 3/8 to 5/8 inch adapter, a foam wind cover, and a leather pouch.

Why Picked It:

The Stellar X2 microphone is a great choice. It has low self-noise, and it can be used with an XLR connector. The sound quality is superior to most microphones at this price point, so I am happy with the value you get for your money.

Who It’s For:

This mic is an excellent value for money. It’s ideal for those who want to get started and are looking for a microphone that will fit their budget. This microphone is excellent for beatboxers due to its wide output range. I recommend it to beatboxers starting who don’t yet have an audio interface.

Audio-Technica AT2020USB

Next up on my list is the Audio-Technica AT2020USB+. You don’t need a preamp. Plug the mic into a USB port, and you can start recording from your computer. The microphone PLUS comes with an excellent self-monitoring function. The mic can be connected to headphones, and you can hear yourself recording.

Why Picked It:

Using the mic’s headphone jack, I monitored my voice-over performances without any latency during testing. This helped me work more efficiently and faster without having to take multiple shots.

Audio-Technica AT2020USB+ has a built-in amp, which I was able to use directly in my recording software. I was able to record dynamic vocal performances without introducing noise or losing quality.

This mic is also easy to mount on a desktop, making it an excellent choice for streaming videos on YouTube, Twitch, and other video platforms. It was also easy to make video calls via Skype or Discord.

Who It’s For:

This mic is great for podcasting. But I also like that you can practice with other audio sources or instrumentals using the mic. Although it is not a karaoke microphone, the Audio-Technica At2020USB+ has the advantage of mixing music and singing along with headphones. This gives vocalists an edge.

Samson G-Track Pro 128

Halfway through our guide to the best microphones for voice-over, we come across another of our top USB mics. The Yeti is a close rival, but this one is slightly less expensive than the Pro if you want a more powerful USB microphone.

The G-Track Pro has a desktop stand that can be removed for those who prefer it to be done on their desks. There are also some neat controls on the mic:

  • A recording select switch (mono, two tracks)
  • A Polar Pattern switch button
  • A mic volume
  • An instrument volume knob
  • A master mute button

This USB has a 24-bit/96kHz recording resolution comparable to pro condenser microphones (not yet). The built-in audio interface is also available, although it’s not as efficient as standalone audio interfaces.

This will allow you to save money if your preference is to connect the microphone to your computer. Samson G-Track Pro, another excellent option for voice-over artists. Who doesn’t want extra gear or to mess with an XLR input or phantom power source?

Why Picked It:

Samson G-Track Pro features a low-cut filter and isolation pads that help reduce background noise. I found this microphone very useful for singers who need to hear themselves clearly without any post-processing.

Who It’s For:

Samson G-Track Pro, which is excellent for singers looking for a microphone that cuts background noise and gives them an even mix, is a great choice. G-track Pro can work with your PA system or computer recording interface to create studio-quality sound.

Shure SM57

The Shure SM57 is an excellent mic for voice-over work. This mic is undisputedly the best microphone for voice-over. It’s as strong as a terminator.

This mic is rugged. Shure was proud of this fact and displayed it prominently in their marketing.

The ads showed that the SM57 was subject to more abuse than Bill Murray in Groundhog Day. Dropped from a helicopter and run over by the bus. The mic still works.

The Shure SM57 is a cardioid microphone, just like the other mics on this list. It does a great job of capturing your voice and pushing out unwanted sounds.

The SM57 is one of excellent microphone for voice-over artists who don’t need a professional recording studio.

The SM57 mic is a durable and excellent cardioid performer that makes it a great companion for voice-over artists who are on the go. You can plug it anywhere you like, and it will work.

Why Picked It:

The Shure SM57 can record vocals as well as instruments. Its cardioid polar pattern will give you a clear and crisp recording. The Shure SM 57 has a comprehensive low-frequency response, which means that louder people sound louder than quiet people. You can overcome this by increasing the highs and cutting the lows.

Who It’s For:

This microphone is a classic. I recommend it to anyone who wants to record their voice and experiment with EQing and effects later. Because of its versatility, this mic will be an excellent option for singers. It’s also affordable, so anyone who needs to test a microphone within their budget range will find the Shure SM57 easy to get.

MXL770

Let’s discuss budget-friendly condenser mics for voiceovers. The MXL 770, which is much cheaper than the USB microphones we have listed here, is an excellent option for voice-over professionals who want a cost-effective mic and still allows them to connect to an XLR connector and interface or preamp.

We have all the specs necessary to ensure that we are using the correct mic for the job.

This one has a very balanced sound, and many have been impressed with the price/quality ratio. An excellent bass frequency roll-off switch is available to clarify vocals with a deeper tone.

There’s also a handy -10dB attenuation control for further customization if needed. If you have a limited budget but still desire a top-quality condenser microphone, the MXL770 is a good choice.

Why Picked It:

The XL 770 is my favorite because of its great sound, no EQ, and easy use. The microphone is also fixed cardioid, so you don’t need to worry about positioning yourself to get the best results.

The XL770 can handle SPLs up to 156dB with no clipping. This impressed me as it can pick up even the most delicate vocals without any problems.

Who It’s For:

This microphone is ideal for a voice actor, professional singer, and rapper. Because of its output range, this microphone can be used for beatboxing. I recommend it to beatboxers who don’t like post-processing their vocals.

Blue Snowball iCE

The Snowball solid condenser microphone delivers clear sound in everyday life applications. This model is ideal for improving your Skype audio quality, FaceTime audio quality, or YouTube recording sound quality.

This USB microphone is easy to use: plug it into your Mac or Windows PC, and you can start using it. There is no software needed. The model comes with an adjustable stand that can be adjusted for your convenience.

Why Picked It:

The Snowball iCE has three polar patterns. This allows it to be used for both omnidirectional and directional recording.

This mic is the easiest to set up. It was easy to set up. I just had to plug it in and wait for its drivers to install. Then I was ready to start recording into my studio software.

This mic is efficient when switching polar patterns quickly using a thumb switch. This mic was handy for testing and monitoring different recording environments.

This mic has a retro-future design that I love. This mic has a beautiful space-age look that is both attractive and eye-catching.

Who It’s For:

It is an excellent choice for budget-minded voiceover artists. It offers everything that an artist wants to get started in the voiceover business.

This mic’s unique design makes it an excellent choice for recording YouTube videos on the camera. The Blue Snowball iCE’s capabilities are limited, but I recommend it to home recording enthusiasts who only need to record short demos.

Blue Snowball iCE

Blue Snowball’s solid condenser microphone produces clear sound for everyday use. This microphone is perfect for improving Skype audio quality, FaceTime audio quality, or YouTube recording sound quality.

The USB microphone is simple to use. Plug it into your Mac or Windows PC, and you can begin using it. No software is required. An adjustable stand is included with the model.

Why Picked It:

The Snowball iCE features three polar patterns. It can be used for both omnidirectional or directional recording.

This mic is easy to set up. It was straightforward to set it up. It was simple to connect it and wait for the drivers to install it. After that, I was ready for recording into my studio software.

This mic works well when switching polar patterns quickly with a thumb switch. This mic is helpful for monitoring and testing different recording environments.

This mic is retro-future in design, which I love. This mic is beautiful and has a space-age design that is both eye-catching and attractive.

Who It’s For:

Snowball ICE is an excellent choice for budget-minded voiceover artists. It has everything an artist needs to start their voiceover career.

The unique design of this mic makes it a great choice to record YouTube videos. Although the iCE is limited in its capabilities, I recommend it for home recording enthusiasts who need to record short demos.

Conclusion

I hope you enjoy this post and find it helpful! If you ever get a chance, try renting a mic and test it in your actual recording environment for a couple of days to see if it’s what you need.

Many of the microphones on this list are pretty reasonably priced, which makes them affordable for most people just starting out or even those with more experience who want an upgrade.

The best advice Hooke Audio can give is to take some time to understand how each microphone will affect your sound quality before making any purchases, as every voice-over artist has different needs that their equipment should meet. Happy shopping!

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Last update on 2021-09-18 / Affiliate links / Images from Amazon Product Advertising API

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