Best Microphone For Voice Over 2022: Top Brands Review

Best Microphone For Voice Over 2022 Top Brands Review
  • Anthony

Voice-over is a career that requires dedication and practice. There are many variables in the voice-over industry, so it’s essential to know what you need before starting.

The best microphone for voice over is an essential tool and can make or break your audio quality. Here we’ll explore some of the different types available, as well as a few options for both beginners and professionals alike.

The difference between condenser microphones and dynamic microphones will also be discussed, along with other considerations such as overall pricing, battery life, intended use (for home studio recording vs. live performances), wireless capability, noise cancellation technology, features like mute buttons, and gain controls – all of which can help you find the best mic for voice-overs. 

Top Best Microphones For Voice-Over

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329 Reviews

Blue Yeti

The Blue Yeti USB condenser mic delivers great sound quality and multiple pattern selection (cardioid, bidirectional, omnidirectional, and stereo).

This one is a real gem. For just slightly over a hundred bucks, you can get yourself a high-quality USB mic that’s an excellent fit for a standard home setting.

The Blue Microphones Yeti offers four recording modes and a surprisingly clear sound for this price range. Well-built, feature-packed, an excellent choice for amateur audio lecturers who aren’t ready or willing to set up a professional studio.

Why I Picked It

The Blue Yeti is affordable on virtually any budget, but it’s also made with quality components and backed by the Blue name.

This excellent mic is versatile enough for podcasting and general audio recording and gives you the chance to switch between four polar patterns to dial in the right setting for your voice.

I found that the size of the Blue Yeti is perfect for travel. I can use this mic to record interviews outside of the studio with my mobile workstation or connect it to a tablet using an adapter for voice recording in almost any environment.

Who It’s For

The Blue Yeti is an excellent choice for podcasters and YouTubers as its plug-and-play capabilities make it a breeze to use for general recording.

This mic is also a good choice for voiceover artists who need quick demos in the studio or the field. The mic complements any desktop, so it is also a good choice for studio set designers.

Blue Snowball iCE

Blue Snowball ice Blue Snowball is a solid condenser mic that delivers clear sound in various everyday life applications. This is your model should you need to improve your Skype or FaceTime audio or boost sound quality for YouTube recordings.

It’s an easy-to-use USB mic: plug the device directly into your Mac or Windows PC and start working. No software is required. This model also includes an adjustable stand for your convenience.

Why I Picked It

The Snowball iCE provides three different polar patterns, allowing it to be used effectively for directional and omnidirectional recording.

I find that this mic is one of the easiest to get set up. All I did was plug it into my computer and let it install its drivers. From there, I was all set to record into my studio software.

This mic provides efficiency when switching polar patterns on the fly using a thumb switch. I found this helpful when testing and monitoring in different recording environments.

I also love the retro-future look of this mic. It gives off a space-age feel that is both eye-catching and beautiful.

Who It’s For

The Blue Snowball iCE offers a little bit of everything for the budget-minded voiceover artist, making it a good choice for people getting started in the voiceover industry.

Because of its unique style, this mic is also a good choice for on-camera display when recording YouTube videos. Although the Blue Snowball iCE is limited in its capabilities, I would recommend it for home recording enthusiasts who need to record quick demos.

Rode NT-USB

Rode NT-USBA studio-quality USB microphone, the NT-USB is a highly versatile device for recording all sorts of vocals. This model features a zero-latency 3.5mm headphone jack for monitoring and a quality pop filter to eliminate plosives.

The Rode NT-USB is great for voiceovers and instrumentals. It comes equipped with a tripod, ring mount, and storage pouch—a smart choice for beginners and budget-savvy audio professionals.

Why I Picked It

I found the Rode NT-USB to pair perfectly with my Apple iPad, but it can also be used in other mobile devices. This makes it a must-have for recording interviews and vocal work while out and about.

Monitoring is essential when recording voiceover performances, and this mic provides a headphone jack in the unit itself for zero-latency monitoring. This gives me the ability to not only hear myself while recording but also to ensure gain consistency.

The Rode NT-USB offers an impressive full-spectrum frequency response, so it easily captures the lowest lows and the highest highs. For voiceover work, this means that it can capture the perfect performance regardless of voice type.

Who It’s For

Podcasters and YouTubers will benefit from this mic because of its ability to capture crisp, natural vocal tones. Still, sound designers and vocalists will also love using this mic in the studio.

Because it’s USB, the Rode NT-USB is best suited for direct audio recording without an external pre-amp, so that I would recommend this mic for quick home studio work and demo recording.

Audio-Technica AT2020USB+

Audio-Technica AT2020USB PLUS Cardioid Condenser USB MicrophoneNext on my list comes the Audio-Technica AT2020USB+.

There’s no need for a pre-amp, so you can just plug it into a USB port and start recording right from your computer. The PLUS version of the mic comes with a highly appreciated self-monitoring feature. You can plug your headphones right into the mic and hear yourself while recording.

Why I Picked It

During testing, I monitored my voiceover performances with zero latency using this mic’s included headphone jack. I found this helped me to work faster and more efficiently without requiring multiple takes.

The Audio-Technica AT2020USB+ includes a built-in amplifier, so I could use it directly within my recording software without requiring too much post-production gain adjustment. This also allowed me to record various dynamic vocal performances without losing quality or introducing signal noise.

I also like that this mic can be mounted for desktop use easily, making it a good choice for streaming on YouTube, Twitch, or any other video platform. This also made it easy to field video calls using Skype and Discord.

Who It’s For

I like this mic for podcasting, but I would also recommend it for budding singers who want to practice with instrumentals or other external audio sources.

While it’s not a karaoke mic, the ability to mix in music and sing along while monitoring through headphones gives the Audio-Technica AT2020USB+ an edge with vocalists.

If you’re not paranoid about quality and you want to keep it functional and easy to use, then go with an economy model! Most low-priced mics are good enough for voiceovers and podcasts. Need a quick start without breaking the bank? Read on for your options.

Without further ado, let’s see what the market offers in the affordable segment.

Rode NT1A – My choice among cost-effective condenser mics

Rode NT1A Anniversary Vocal Condenser Microphone PackageThe Rode NT1A is loved by many voices over talents, instructional designers, and audio lecturers from all walks of life.

Also, it’s recommended by Audiobook Creation Exchange (ACX), a meeting point for authors and narrators, recording engineers, and producers engaged in audiobook delivery.

The mic falls into the ‘beginner’ price range, yet with a professional slant. With the Rode NT1A Condenser, you can record high-quality audio with impressive dynamics.

The microphone comes in a bundle with a shock mount and a DVD. The disc offers excellent audio recording tips and tricks that will suit newbies and pros alike.

Why I Picked It

When recording voiceover takes, this mic reproduced nuances that other mics in the same category missed. The Rode NT1A also has a shallow noise shelf that measures at 5dB(A), and when used in a vocal booth, this mic delivered clarity that sparkled.

The Rode NT1A has a shock-mounted internal capsule, and I noticed that this feature helped reduce self-noise from the mic while recording. I also liked that the shock mount protected the capsule during positioning and transport.

The standard package provided by Rode came with several audio accessories, including a mic dust cover, a shock mount, and a pop filter. This added benefit reduces cost while providing protection and expanding performance options.

Who It’s For

I would recommend this mic to home studio engineers because it can quickly pair up with virtually any digital audio workstation application.

When used in an adequately isolated environment, the Rode NT1A offers the same clarity and attention to detail that is often reserved for condenser mics that cost more than twice as much. Voiceover hobbyists and professionals can also turn to this mic when working on demo material or trying out new ideas.

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Harlan Hogan VO

VO: 1-A Harlan Hogan Signature Series MicrophoneThe Harlan Hogan VO is an excellent choice for voiceover actors and novice audio producers. The package also includes a hard case, shock mount, XLR cable, quick clip mount, and two replacement mount bands.

The device supports both a USB-style and XLR connection. You can plug it into your audio interface at home or the studio and use it as a standalone USB mic on the road. Very convenient.

Why I Picked It

I trusted this mic from the start because it was designed by voiceover legend Harlan Hogan himself and manufactured by Marshall Electronics. The quality and attention to detail in the frequency response for the human voice is apparent no matter what type of vocal performance I threw at the Harlan Hogan VO.

I was able to get deep, rich bass from this mic without mud, even though I have a mid-range voice. The Harlan Hogan VO also delivered sparkling, silky high-end audio capture without a hint of harshness.

The addition of Class A circuitry in this mic gives it best-in-class performance and ensures that I received consistency with each take.

I didn’t hear any self-noise when monitoring or during post-production of my voiceover takes, which means a lot when pairing the Harlan Hogan VO with a budget pre-amp.

Who It’s For

This mic was designed specifically for voiceover artists. I think that no matter your experience level, if you want quality and consistency in an affordable voiceover mic, the Harlan Hogan VO is a must-have.

This mic would work well for solo podcasting in a studio environment, but I would avoid using it for recording instruments due to the frequency response tuning.

SE Electronics sE2200a

SE Electronics sE2200a II C Large Diaphragm Cardioid Condenser MicrophonePowered with excellent vocal isolation, the SE Electronics sE2200a is a superb choice as a large-diaphragm cardioid condenser mic.

This model efficiently filters background noises. It also comes with a shock mount. The device is recommended for its dynamic recording of versatile tones and voices, warm sound, and pleasant look and feel.

Why I Picked It

The sE Electronics sE2200a utilizes two diaphragms for improved acoustic pickup, so it offers enhancement for untreated spaces as well as vocal recordings in an isolated setting. I liked this feature as it expands on the dynamic range of this mic.

I found that the price point for this mic allows access for both professionals and those who are just getting started on their journey in the voiceover and recording industries.

The sE2200a covers the entire frequency spectrum, and the latest model includes switchable polar patterns. These options allow for greater control over a recording based on environment, directional requirements, and group size.

Who It’s For

While I like the sE2200a for voiceover work, this mic shines for sound design and instrumental recording. It’s an excellent choice for both home and professional studios and works flawlessly for picking up crisp detail in the high-end.

I would also recommend this mic for recording solo vocals as it brings out a silky quality to the human voice that isn’t found in other microphones in the same price range.

Sound waves make a wire or coil resonate in a dynamic mic and induce a current that is later converted back to sound. Dynamic models fit many applications and everyday audio tasks, deliver excellent sound and come in handy for lengthy voiceovers in places with poor noise reduction.

CloudlifterNote! If you choose a dynamic mic, consider getting a Cloudlifter. It does leverage phantom power to amplify dynamic mics by up to 25dB without channeling the power through the mic itself.

Just locate the cloud lifted at the front of your dynamic microphone and turn on the phantom power to make your virtual device sound its very best.

Shure SM7B – My choice among dynamic mics

Shure SM7B Vocal Dynamic MicrophoneThe SM7B dynamic microphone offers a flat wide-range frequency response that works excellent for music and speech recording.

The SM7B contains perfect shielding against the electromagnetic hum produced by neon lights, computer screens, and other gadgets. The included pop filter makes any additional protection against plosive sounds superfluous, effectively eliminating most defects even for close-up narrations.

Also, it has a switchable frequency filter that’ll pep up consonants and pep up your speech in the mix. With the filter turned on, the frequency response is similar to the most recognizable on-stage microphone, the Shure SM58.

Two legendary voiceover microphones in one! Great value for the money!

Why I Picked It

As a dynamic cardioid mic, the SM7B delivers impressive performance when paired with a mid-range pre-amp. I found that I could use this mic for both loud voiceover performance pieces while still retaining the character of performance when recording at average speaking volumes.

The directional field on this mic is tight enough to block out unwanted background noise, but it’s not so tight that I had to be precisely dead center the entire time I recorded. This gives more freedom to move about for performances without taking away from the sound.

This mic is a classic in the broadcast industry, and I like that it’s designed to work well with an articulating arm mount. Once again, this offers more flexibility in placement and performer positioning.

Who It’s For

The Shure SM7B is an attractive option for voiceover artists and vocal performers who need a dynamic solution while still capturing a detailed sound.

I would recommend this mic to anyone in the voiceover industry, including beginners, as it is a great all-around unit that offers a classic sound that can be heard across the world in professional broadcast environments.

Rode Procaster

Rode ProcasterThe Procaster is a perfect fit for YouTube videos, long narrations, and audiobook recordings.

This model offers a tight polar pattern and tailored frequency response. It’s a robust voiceover mic with excellent noise reduction. The high-output dynamic capsule ensures its top qualities as a broadcast and voiceover microphone. It comes with a built-in pop filter to minimize plosives.

Why I Picked It

The frequency response on the Rode Procaster is explicitly tuned to enhance the range of the human voice. During testing, I noticed that Rode went to great lengths to find the correct roll-off frequencies. The bottom end drops off after 75Hz, and the top end maxes out at 18kHz.

Although suited best for voiceover work, I tried this mic on some instrumental recordings and was satisfied with the results. It makes for an excellent room mic, but I was also able to get good results on guitar and bass cabinets.

This mic’s low-impedance output controls a character. It gives options for placement, making it an essential piece of recording gear for voiceover artists who need to record in different spaces during a project.

Who It’s For

Voiceover artists looking for a microphone specifically crafted to enhance the human voice will want to get their hands on the Procaster.

I also think that podcasters could benefit from the Procaster because it can elevate voices and give them a professional sound without much post-production work needed. Audio engineers would also want to try this mic for recording in dynamic environments, including drum rooms.

Heil PR-40

Heil PR-40The Heil PR 40 is a dynamic studio recording mic designed for multiple pro applications, including live recording and commercial broadcasting.

This model boasts an extensive frequency range and beats most condenser microphones in this regard. It addresses enormous amounts of SPL and also caters to natural voice articulation.

Why I Picked It

Heil designed the PR-40 with a flat response, and this works well for capturing an uncolored, natural sound. This benefits audio engineers, sound designers, and voiceover artists who want to craft a specific sound in post.

This mic also rolls off muddy lows and harsh highs between 28Hz and 18kHz. I felt like this specific tuning worked perfectly with my voice during testing, and the lack of coloration gave me more freedom to focus on the performance instead of trying to balance out highs and lows.

I also fell in love with the looks of this mic. It features gold and chrome plating on some models that ooze sophistication, craftsmanship, and attention to detail.

Who It’s For

This mic is the perfect addition to the cabinet of any sound design professional due to the flat response and ability to shape the character of a recording in post.

I would also recommend the Heil PR-40 for voiceover artists who work best to act naturally without thinking about changing performance to suit a specific sound.

Electro-Voice RE-20

Electro-Voice-RE-20-Cardioid-Microphone is considered an industry standard employed by sound engineers and music producers across the globe.

It comes with a heavy-duty internal pop filter, which does an excellent job for close-in voice recordings and an internal shock-mount for noise reduction.

Why I Picked It

The low-end response on this mic is fantastic. At 45Hz, bass tones add depth, character, and power to a vocal take, and the RE20 capitalizes on this.

I love the addition of Electro-Voice’s Variable-D technology as it reduces proximity to noise, giving me a cleaner recording without the need for a lot of post-cleanup.f

I tested this mic in both studio spaces and crowded environments, and I could hear the difference the Variable-D technology made in keeping the focus on my voice each time.

The RE20 includes a giant diaphragm and bass roll-off control for superior sculpting of vocal characteristics. These two features made it easy to get professional results in my studio at home and in a professional vocal booth.

Who It’s For

Voiceover artists looking for power and a real advantage in the low end will love this mic. The RE20 tackles the challenging parts of keeping mud at bay, but at the same time, this mic delivers a clear and concise high end without frying vocal parts.

I would also recommend this mic to podcasters and YouTubers who want to get a sound of a professional broadcaster without shelling out big bucks for a high-end mic.

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Neumann TLM 102 MT – My choice among mid-range mics

Neumann TLM 102 MTThe TLM 102 is an intelligent condenser choice, compact, good-looking, and a great value for the money. It features a new large-diaphragm cardioid capsule that allows for a maximum sound pressure level of 144 dB. This allows for very high-output recordings.

The Neumann TLM102 offers a fast transient response for acoustic instruments, but the best applications for this mic are vocals and voiceovers.

It comes with a built-in pop screen to remove plosives and a stand mount for increased stability. The reasonable price and flexibility make this device an excellent fit for home recording and project studios.

Why I Picked It

Right away, I noticed that Neumann made it a point to accentuate top-end sounds when recording with the TLM 102 MT. My voice sounded natural and solid, but this mic brought out a rich, bright character that I often don’t hear with voiceover mics.

I think that TLM 102 MT is sleek and sophisticated in design and appearance. I found myself drawn to this mic’s classic look as it harkens back to the days of stand-up broadcasts and radio plays that relied heavily on the artists’ vocal performances.

The Neumann TLM 102 MT includes an integrated pop filter, and I found this welcome addition not found on most mics. During testing, I achieved a full sound without excessive plosives or sibilants as a result of Neumann’s innovation.

Who It’s For

I believe the Neumann TLM 102 MT does a great job capturing clarity in vocal performances, but it stands out when capturing higher frequencies.

That’s why I would recommend this mic to voiceover artists who have voices that perform best at higher octaves or that don’t require additional bass. Studio engineers can also benefit from having a TLM 102 MT in the mic cabinet for recording piano and stringed instruments that need some extra sparkle.

Neumann TLM103

Let’s talk high-end for a second. Neumann is a fancy brand but has unmatched quality if your budget goes into the thousands — not many of you may apply here. Still, for some, this one takes the cake by far as a professional and beautiful microphone for voiceovers.

Usually used for vocals in the studio, if you have this bad boy at your fingertips for voiceovers, you’ll never have to worry about quality ever again.

This is a lot smaller than many other studio mics, but size with music and recording gear is never an indicator for anything. If anything, it says this thing packs a powerful and advanced punch within a small body.

So what makes this voice microphone so much more expensive than the others? Without getting too technical, it’s all in the internal build (and external, of course, considering we have a rugged casing made of metal with a nickel finish).

The circuitry doesn’t include a transformer that aids in decreasing self-noise and increasing the SPL handling significantly. It also aids in feedback suppression.

We could get into more details but for now, just know the Neumann TLM-103 is the real deal as the best voiceover microphone if you have a big budget.

Why I Picked It

The Neumann TLM 103 large-diaphragm condenser microphones capsule is derived from the Neumann U87 but significantly lower cost. This mic has a timeless sound loved by broadcasters and voiceovers professionals without requiring a large budget.

It shined brightly when I concentrated on the highest frequency range. My voice acting was clear and clean, with no buzzing or harsh overtones.

The Neumann has an excellent dynamic range. This mic recorded everything, from radio spots to narrations at various volume levels, with excellent results.

Who It’s For

It is recommended to professional voiceovers artists who don’t have the budget to buy a Neumann U87 mic or want the Neumann sound in modern microphones.

This condenser mic is an excellent choice for home studio fans who want a more affordable alternative to expensive broadcast or studio mics.

This compares the Neumann TLM 103, TLM 102, and the CAD-e100 from Mike DelGaudio. Compare these mics, and you’ll be able to make a decision.

CAD E-100S

CAD Large Diaphragm Supercardioid Condenser is an outstanding piece of US-made voiceover studio equipment, the CAD Microphone sells in a slightly higher range. The peculiar thing about this device is its rectangular shape.

Despite this questionable design solution, it provides a beautiful deep sound. All you could expect from a top-notch large-diaphragm condenser mic and more. Voiceover actors comment that it can be easily used outside the booth, highlighting its powerful filtration of background noises.

Why I Picked It

The CAD E100S is the ideal choice for voiceover artists who want a susceptible mic that all but eliminates distortion. I enjoyed testing this mic in different environments, and its advanced Quadra-FET technology allowed my voiceover work to sound like I recorded it using a mic twice as expensive.

Clocking in at 3.7dBA, the ultra-low noise shelf on this mic allows it to capture nuances within voiceover work that other mics might miss.

I achieved stunning results when I recorded vocal takes in a studio booth, but I also found environments came alive during ambient recording.

This mic sports a vintage look that makes it a must-have for collectors of vintage gear. It looks great in the studio, but I could also see this being an excellent choice for YouTubers who want to show off some style.

Who It’s For

I think professional voiceover artists would benefit the most from this mic because it requires some voice control experience to get optimum results.

With that said, any budding voiceover artist or voice actor who wants to hear the difference a quality mic can make should pick up a CAD E100S when possible.

Rode NTK

Rode NTK Tube Condenser microphone large-diaphragm condenser with an extraordinary warm sound, the Rode NTK is an excellent choice for those who prefer it real loud. Devoted users also cite the broad dynamic range and durability of this mic.

Like other tube microphones, you need to warm it up for a while, which performs its best. Make sure you turn it on and keep it on standby for twenty or thirty minutes before recording an audio lecture.

Why I Picked It

The Rode NTK features valve circuitry, adding warmth to vocals and instruments alike. During testing, I liked how even in a vocal booth, my voice came across an analog tape quality reminiscent of the classic mics of the 1960s.

When it came to testing for frequency response, I was pleasantly surprised to find that, although the Rode NTK focused on warm tones overall, it did deliver on the company’s promise of full-spectrum frequency response.

This mic includes the addition of a gold-plated 1 diaphragm, and this combines well with the Class A circuitry and graded 6922 twin-triode valve to improve performance in terms of sound reproduction.

Who It’s For

Both voiceover performers and studio engineers can use the Rode NTK to record when the job calls for added warmth. I wouldn’t recommend this mic for broadcast professionals or podcasting because it may take attention away from vocal detail.

Still, I think it would be suited well for recording engineers who need to capture ambient sounds or mic placement to create reverb effects.

Townsend Labs Sphere L22

Townsend Labs Sphere L22The Townsend Labs Sphere L22 professional microphone has two mic capsules inside. One capsule captures the sound coming from the front of the mic, and the other captures the sound coming from the rear of the mic.

This style allows the mic to capture directional and distance information that would otherwise be lost when using a single capsule mic. The sound picked up by the mic is a very accurate capture of how the original mics (which included software models) would respond in a real space.

The Sphere L22 mic is a precision modeling system, which combines the dual-channel mic with an audio plug-in for a digital audio workstation (DAW).

The software serves as a digital signal processor (DSP). Using the software plug-in, instead of having a DSP in the mic, allows a user to change the mic model settings, including the mic type and polar pattern, even after recording the audio.

Why I Picked It

The Sphere L22 is an analog modeling mic that records a full 360º image of the sound.

Works well with the Universal Audio Apollo audio interface. The mic has an XLR cable that splits into a stereo pair for input into the audio interface.

The included DSP software supports all popular formats and can model the characteristics of over 30 different types of mics.

Who It’s For: This mic is a must-have piece of equipment for a professional audio engineer and severe audiophile. It costs a pretty penny; however, it substitutes for a mic collection that can cost 20 times more than that.

Focusrite Scarlett 2i2 Studio

Focusrite Scarlett 2i2 Studio comes in a different package from what you would get with other purchases. We said package because you get not only the mic but also the corresponding gear. This package is an excellent option if you start voiceover recording and want gear at a reasonable price.

You’ll receive the Scarlett 2i2 Audio Interface, which is very popular among audiophiles because of its reasonable price.

Why Picked It

It converts audio at 24-bit and 192kHz. You can plug in two microphones, which is great for podcasters and doing voiceovers with others.

The package also includes a monitor and a headphone knob. The Focusrite Scarlett 2i2 Studio seems to be the gift that keeps giving. What about the microphone for voiceovers?

The microphone is quite good and will record clear audio. You shouldn’t expect to get the same performance as the condenser mics at the high-end.

However, this does not mean that the mic is terrible. I’m confident that the CM25 microphone is good enough to be used professionally.

The HP60 closed-back headphones are the best microphone for live vocals. These headphone mics are excellent at canceling out outside noises. These headphone mics prevent audio recordings from being mixed up with outside noise.

Who It’s For

The Scarlett 2i2 Studio is an impressive package. It includes everything that a voiceover artist needs to get started. The best part is the price. We highly recommend this.

Samson G-Track Pro 128

Halfway through our guide to the best microphones for voiceover, we come across another of our top USB mics. The Blue Yeti Pro is a close rival, but this one is slightly less expensive than the Pro if you want a more powerful USB microphone.

The G-Track Pro has a desktop stand that can be removed for those who prefer it to be done on their desks. There are also some neat controls on the mic:

  • A recording select switch (mono, two tracks)
  • A Polar Pattern switch button
  • A mic volume control
  • An instrument volume knob
  • A master mute button

This USB mic has a 24-bit/96kHz recording resolution comparable to pro condenser microphones (not yet). The built-in audio interface is also available, although it’s not as efficient as a standalone audio interface.

This will allow you to save money if you prefer to connect the microphone to your computer: Samson G-Track Pro, another excellent option for voiceover artists.

Why Picked It

Samson G-Track Pro features a low-cut filter and isolation pads that help reduce background noise. I found this microphone very useful for singers who need to hear themselves clearly without any post-processing.

Who It’s For

Samson G-Track Pro, which is excellent for singers looking for a microphone that cuts background noise and gives them an even mix, is a great choice. G-track Pro can work with your PA system or computer recording interface to create studio-quality sound.

Sennheiser MKH416-P48U3

Sennheiser MKH416-P48U3 Super-Cardioid Shotgun Tube Condenser MicrophoneThe Sennheiser Mic is used in professional studios and is dubbed as the gold standard. An excellent choice for road trips and outside recordings, the Sennheiser is a classic directional shotgun mic: rugged, lightweight, and user-friendly.

Equipped with feedback suppression, it delivers superb sound quality and ease of use. See it as a part of your voiceover home studio equipment? It’s never been easier.

Why I Picked It

The Sennheiser MKH416-P48U3 is excellent at capturing clear vocals on set while still recording natural ambiance. This makes it an essential piece of gear when you need a mic for vocal work in a crowd.

During testing, I found that this mic rejects feedback for clear audio in monitoring environments. I didn’t run into any problems, even when I had monitors nearby, and I didn’t notice any feedback in post-production.

I also like that the Sennheiser MKH416-P48U3 features high directivity to capture the correct audio source. All I had to do was reposition the mic when a scene changed, and I could easily target the right vocal performer without sacrificing sound quality.

Who It’s For

The Sennheiser MKH416-P48U3 is a specialty mic designed for film, television, and live broadcast environments, so I would only recommend it for on-set audio specialists. Voiceover artists might use this mic while working, but it isn’t something you would want to use in a vocal studio setting.

On the other hand, you may find some use for the MKH416-P48U3 in a studio if you need to capture overhead ambiance for specialty vocal recordings.

Neumann U87

Neumann U 87 Ai Switchable Studio Microphone, 3 Directional – NickelProfessionals are praised for the Neumann U87 model. This exceptionally pricey mic supports three directional patterns: all-directional, cardioid, and figure-8. Neumann fans have a more affordable choice, though.

A lower option, the Neumann TLM103, also delivers excellent quality recordings. It fits the expectations of broadcasters and home studio owners. This mic is susceptible; users maintain that it renders emotions and nuances with excellent efficiency.

Why I Picked It

The Neumann U87 is a top-of-the-line voiceover mic with a long history in broadcast and professional recording. I love the character of this mic, and it consistently delivers quality recordings with a fast frequency response tailored to the human voice.

The depth and power provided by the U87 help lower tones reach their potential, but it also shines bright on the top end.

Using the Neumann U87, I quickly choose between three classic polar patterns, including figure-eight, cardioid, and Omni. This provides options for solo, group, and ambient recordings.

The U87 also has a switchable bass roll-off dialed in with the human voice in mind. It reduces mud while emphasizing lower registers for added character, tone, and punch.

Who It’s For

The Neumann U87 is the mic I recommend most to professional voiceover artists who have a hard time finding the right fit. This mic provides everything needed to bring out the best in any vocal performance.

Studio professionals can also significantly boost quality and clarity when using the U87 as a room mic. The price of the U87 is on the higher end, but the performance this mic provides is worth it when you need the best.

That’s it for the voiceover microphones for now. Let’s see what additional gear you may need to help your mic of choice shine like a star.

Avantone Pro CV-12

Do you care about having transparent, digital audio? You want warmth and vintage, vintage, and warmer feel to your voiceovers. Let’s talk about the classic tube microphone, which is one of our favorite ever.

Although the CV-12 is still a studio mic with XLR connectors requiring phantom power and a microphone, it has a unique inside design than most in this guide.

Tube mics are unique. These microphones have a tube-shaped inside that converts sound into data. While some people argue this is subjective and ‘nonsense, others swear by it. To get an idea of which one you prefer, we recommend that you try both microphone types on your own.

The CV-12, despite what some may claim, is still a solid microphone, tube or not. The CV-12 is praised for its rugged build, small size, and high-quality sound. If you are looking for a unique sound, the Avantone Pro CV-12 is the right choice.

Why Picked It

The 440 Pure is very clean and has the perfect amount of EQ. You can achieve a deep voice acting effect by adjusting the compression and dropping the lows a bit.

If you don’t like the lows in your vocals, the bass roll-off switch can be helpful. It can also be used to start a recording for time savings.

Who It’s For

The Lewitt LCT440 Pure microphone is ideal for singers who prefer a straightforward, crisp-sounding voice with minimal coloration. The shock mounts system makes this microphone an excellent choice for people who want to include pop filters.

Synco D2

The Synco D2 is a budget option to the Sennheiser MKH416 ($1,000) and is a hyper-cardioid shotgun microphone. It is a very forgiving condenser mic, which is ideal for VO beginners’ home studio.

The frequency response rate of this mic is similar to that of the 416, but it has a slightly higher top end and a flat frequency response. It also has a low noise floor thanks to its extreme directionality and rich proximity effect. This makes it great for commercial readings, promo, narration, and commercial reads.

The Synco D2’s shotgun shape makes it an excellent microphone for filmmaking, especially if you have a boom pole or self-tapes. It will still capture your voice acting even if it is placed outside of the frame.

This condenser mic would be my go-to microphone if I was traveling and had to record. The Synco D2 includes a high-quality travel case, mic clip, and a short XLR Cable.

Why Picked It

The Synco D2 is a crisp, clear-sounding product that sounds like a pop filter. It also has zero-latency monitoring, making it ideal for beatboxers who want their music to be heard live and not through their microphone.

Who It’s For

The D2 is a must-have for any professional beatboxer. Being able to hear your voice acting and record in real-time without latency is rare. Beatboxers also need this feedback more than other music genres because you can hear every error live. People looking for a microphone that has a pop filter may be interested in the Synco D2.

Lewitt 440 Pure

The 440 is a simple, sleek, well-constructed, efficient cardioid polar pattern microphone that retails for $269. Perfect for recording voiceover due to its detail and clarity, it’s equally great for those looking to record instruments or singing vocals thanks to its max sound pressure level of up to 140 dB SPL, which helps avoid distortion from exceedingly loud sources.

The 440 has a genuinely rich bass response for its proximity effect that never comes out muddy, and the slight boost to its high-end frequencies makes the sound bright but still pleasant and pure, accurately confirming its name.

The focal point of the 440 is that it’s nearly impossible to find a consumer or Pro who has a bad thing to say about it. Comparable to the NT1 with its 7dBA noise floor, the 440 similarly comes with a shock mount, 3/8 to 5/8 stand adapter, magnetic pop filter, windshield, and a protective bag.

Guides For Buying Voice Over Microphones

Budget Of Best Microphone For Voice-Over

The most important thing to remember when making a purchase is money. However, we want you to be aware that it will make a difference in how well the microphone works for you.

Guides For Buying best microphone for voice-over

If you consider this a voice-over career or even a lifelong endeavor, spending a little extra to get the right microphone with a good sound quality will make you stand out from the rest.

It is the number one priority in voice-overs. It is not like an out-of-shape police officer offering -they are visible and disappear quickly.

Types Of Microphone

No questions asked. We recommend a condenser mic regardless of the situation, which is the most commonly used type of microphone for voice-over. They require phantom power. It’s not needed for dynamic microphones.

You can connect it via USB or by using an XLR cable and port. I would choose a great XLR microphone if given a choice.

The ease-of-use and plug-and-play capabilities of USB microphones make them excellent choices. Many USB mics (which we highly recommend) also offer excellent quality.

This is a low-current phantom power +48volt charge sent down the XLR cables from your interface to the microphone to power its internal electronics. Some microphones have battery compartments that allow them to be used without phantom power, but they can still be used with phantom power.

Most USB audio interfaces can provide phantom power from all outputs. If you are using XLR mics, this is crucial.

These are unparalleled benefits and can’t be achieved with USB mics (you can not hook up USB microphones to audio interfaces, portable recorders, or preamps).

You can adjust gain, add FX and tweak your sound further instead of relying solely on post-production in music software. Even for those with a lower budget, USB mics can still be used.

Do You Need Other Gear?

Sometimes a microphone for voice-overs is not enough. You can use a USB microphone to record voice-overs. It’s possible to plug it into your computer or laptop.

When referring to other recording gear, it means the additional equipment you might already own or not even know you need, such as headphones and specific cables.

This is important for budget reasons and because you don’t want to receive your microphone and find out that it can’t be used yet. If you are looking to buy more than a microphone, we recommend the following microphone packages. You can also shop for them individually.

What Accessories Should I Have With My Microphone?

It’s almost there! We are almost there. This section will be brief. You will need a few things that are obvious and some things that are not. Here’s a quick list. These are the things you will need:

Accessories Microphone

A microphone stand:

This doesn’t have to be fancy. It can just be a basic boom mic stand that will cost you around PS20. A floor-mounted microphone stand is better than one that is mounted on your computer.

This is because there will be sound from your computer and movement to the voice-over microphones while you record. It’s not worth spending more than PS100 on equipment and then skimming at the last moment.

Headphones:

Although this may seem obvious, you’ll need headphones to ensure you get good sound quality through your headphones. You can also use headphones to record yourself if you’re recording on your own. It is worth investing in quality closed-back headphones like Sennheiser or AKG.

Shock mount:

A shock mount will prevent vibrations from traveling through the microphone stand mount and pick-up by the microphone. This reduces background noises significantly.

Many of the microphones mentioned above come with shock mounts. However, if you choose one of the more expensive mics, you will need one. Although shock mounts are very affordable, you can get very sturdy shock mounts that hold many microphones.

Pop shield:

This is a must-have for voice-over microphones. To capture as much auditory detail as possible, the voice actor should be recorded close to the microphone.

However, being too close to the microphone can cause puffs of air to buffet the microphone, mainly when you use plosive sounds such as be or up and a variety of sibilant sounds like to and s.

Pop shields can help reduce this risk, so even if you have to compromise on other aspects of your purchase, it is worth investing in one. Pop shields are pretty affordable, often priced around PS12, so there is not much to gain from more expensive pop shields.

Read more: How To Make A Microphone Stand? Top Full Guide 2022

FAQs

Can USB microphones be used for voice-overs?

The sound quality of a USB microphone is excellent — It’s not hard to believe that some USB voice-over microphones can sound as good as professional standards.

USB Mics can be carried around — There is no audio interface, and there are many options for travel cases. USB Voice Over Mics is ideal for mobile recording.

Do dynamic mics work well for voice?

Dynamic microphones are great for recording vocals, including voiceovers and podcasting. They also work well when recording multiple people at once. There are many models to choose from, just like our article on the best condenser mics.

What microphone do you need to perform voice acting?

Large Diaphragm Condenser Microphone

Condenser microphones have been the industry standard for voice actors. Because they produce high-quality, lively middle and upper frequencies, these mics are frequently used in music studios.

Is it possible to use a condenser microphone without phantom power?

You can still use a condenser microphone without phantom power. However, connecting a condenser microphone to your computer without an audio interface or mixing board is possible. You will need an XLR-to-USB preamp, such as MXL Mic Mate Pro.

Conclusion

I hope you enjoy this post and find it helpful! If you ever get a chance, try renting a mic and test it in your actual recording space for a couple of days to see if it’s what you need.

Many of the microphones on this list are pretty reasonably priced, which makes them affordable for most people just starting out or even those with more experience who want an upgrade.

The best advice Hooke Audio can give is to take some time to understand how each microphone will affect your sound quality before making any purchases, as every voice-over artist has different needs that their equipment should meet. Happy shopping!

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Last update on 2022-12-01 / Affiliate links / Images from Amazon Product Advertising API

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