Blue Hummingbird Microphone Review 2022: Is It For You?

Blue Hummingbird Microphone Review 2022 Is It For You
  • Anthony

This review article is given to discuss the pros and cons of this high-quality microphone. This microphone is used for professional sound applications such as concerts, broadcasting, and podcasting. Blue’s microphone is well-known for its high quality and versatility.

The Blue Hummingbird microphone is a high-quality microphone used for professional sound applications such as concerts, broadcasting, and podcasting. This microphone is well-known for its quality and versatility.

The Hummingbird Mic is a magnetic mic housed in a weatherproof shell, and it can easily attach to any stand or microphone stand. It’s also straightforward to use and simple to pair.

Now, read the Blue Hummingbird microphone Review below of Hooke Audio, and decide if this high-quality mic will work for you.

Pros And Cons


  • It is reasonably priced.
  • Low noise
  • Good audio quality with a smooth but detailed high end.
  • Swivel head helps solve placement problems.


  • There are no roll-off or pad switches.

Blue Microphones Hummingbird Small diaphragm Condenser Microphone Features:

  • The unique microphone makes it easier to capture hard-to-reach sources
  • These are ideal for acoustic musical instruments like upright piano or tight drum kit
  • The pivoting head can be rotated 180 degrees to record at any angle.
  • The acclaimed B1 cardioid capsule captures fine details and blocks off-axis noise
  • Include mic clip, foam windscreen, and rigid carry case with foam lining.
  • Requires +48V phantom power

Microphones Hummingbird Condenser Microphone Features

Overall build

Blue mics are visually distinct, and the Hummingbird model was leaked to a few at the NAMM 2014 show. The Hummingbird is now shipping one year later. The mic is based on an existing Blue Bottle B1 cardioid capacitor cap paired with a discrete solid-state preamp.

Its most distinctive physical feature, however, is its pivoting head at 180 degrees. Hummingbird fits into tight spaces and can nimbly change positions where others can’t. . This topography will make it easy to sneak under and around cymbals.

The Hummingbird is compact in physical form and has a cylindrical steel body with a metallic gray coating. This metal grey coating allows it to withstand the rigors of studio work as well as live sound.

The body’s tilting head is approximately 36mm in diameter and 27mm wide. This means that the capsule takes up most of the interior width.

The mic measures 170mm long when the capsule is looking straight ahead. It has the expected XLR balanced output impedance at its end. For operation, standard 48V Phantom power is required.

Overall build

Blue claims a fast transient response, high sound pressure levels, and SPL handling of up to 130dB. The included manual also suggests that the Hummingbird can be used with all acoustic instruments, from pianos and acoustic guitarists to overhead drums.

It can be used as a backing or main vocal, and it has a tight manufacturing tolerance (+-2dB) which makes it ideal for stereo pairs. Blue provided a stereo pair of headphones to test, and the manual also included helpful descriptions of mic placements for different instruments.

The mic is shipped in a semi-rigid zip-up carry case with foam inserts and stand clip. Its technical specs give little insight into how the mic might sound.

It has a frequency response of 20Hz to 20kHz, a typical sensitivity at 1kHz of 15mV/Pa, and a dynamic range of 129.5dB. The EIN noise figure is 8.5dB (A-weighted).

A smoothed response graph shows small presence humps at around 3.5kHz-10kHz. However, this only account for two to three dB boost at those frequencies. There is no pad switch and a gentle roll-off at the low end.

Mic placement is everything:

Simply rotate Hummingbird’s unique 180-degree pivoting head to place the mic at any angle and discover the tonal nuances of your instrument most mics would leave behind—all without touching the mic stand.

  • For unmatched tone, sweep the capsule between the 12th fret & sound-hole on acoustic guitars.
  • For perfect snare sounds, rotate the capsule between the edge and center of the snare drum.
  • Two Hummingbirds overheads are needed to dial in stereo images for piano and drums.


Blue tested the microphone with acoustic guitars and the swivel head to test various placement options. Blue confirmed that the microphone could capture transient detail with high clarity.

Although the sound is lively and open without any lower-mid congestion like some mics, the proximity effect does not hold sway, which reduces the depth of the low end, below what you would expect from a flat response mic. Given the fixed LF roll-off, this should not be an issue.

In most cases, however, it is necessary to maintain a clean mix. If you require more depth, you can adjust the EQ to restore the proper tonal balance.

It’s worth noting that the highs sound clear and defined, but they are also relatively smooth. The mids, on the other hand, have a musical warmth that doesn’t diminish the clarity.

When trying to find the right spot for an instrument, the ability to rotate the head is a great asset. You can test a variety of options before you have to move the stand or mic. This flexibility is beneficial when working with drums in a kit.

My hand-percussion tests using a Turkish darbuka drum confirmed this ability to handle transients well. Because of its deep tone and complexity, the darbuka can be used for mic testing. You’ll absolutely love the little pings and rings you get when playing what is effectively rim shots using your fingers.


The darbuka sound is similar to the acoustic guitar, but at 300mm, the deep lows are more controlled than those from the Sennheiser MKH40 that I had set up as a comparison.

If you are working on toms or other drum kits, it is good to position the mic body horizontally and then angle the head towards the drum.

The lack of a pad switch is a concern in tight snare and tom-miking situations, especially if the drummer is very heavy-handed. I would feel more confident if high SPL handling was more excellent than 140dB. This is not an issue if you use these mics to drum overheads.

The Hummingbird can be used as a vocal mic, provided that you have a pop shield between it and your voice. You can also use the proximity effect to adjust the warmth.

It depends on whether the microphone suits the voice you want to record. The subjective result of solo vocal applications is always more important than the spec sheet. However, using a pair to record vocal ensembles or choirs in stereo should be considered a safe option.

The Hummingbird is an excellent mid-priced pencil condensers mic with the added benefit of its swiveling head. Although it performs well compared to similar-priced mics, it lacks the precision-engineered class and refinement that a high-end small-diaphragm microphone can offer. It is a well-built mic that can deliver excellent results in a variety of applications.

Sound quality

As mentioned previously, the Blue Hummingbird can pick up any sound within its range. It can handle high SPL, so a snare or hi-hat and any sound from higher frequencies won’t cause distortion (as is the case with many other mics).

Sound quality

This is particularly important for performance, as we have heard some dynamic microphones make a lot of noise when playing drums.

Featuring a precisely tuned diaphragm and extended frequency response, Hummingbird small-diaphragm condenser is the perfect solution for drum overheads, acoustic guitar, piano, or other percussion instruments with fast transients and rich overtones.

Audio quality is good, although it’s not professional or semi-pro. Blue microphones provide that extra warmth. Blue microphones are blowing away most condenser microphones below $200. Audio quality is always blue.


Is Blue a good brand for microphones?

Blue Microphones. Blue Microphones is most well-known for its highly popular and great USB microphones, including the Blue Yeti and Snowball. This company also makes high-quality professional XLR, condenser (FET and tube), and ribbon microphones.

Is it worth buying a condenser mic?

Therefore, condenser microphones offer superior sound quality. Condensers offer the most dynamic response of all microphone types and have the extended frequency response—the drum attack or the picking of an acoustic guitarist.

it worth buying a condenser mic

Is the Bluebird mic a condenser microphone?

Bluebird SL features a high-pass filter, -20dB pad, and a vocal mask. It is perfect for recording standout vocal performances.

Is Blue Hummingbird good for recording acoustic guitar or drum overheads?

it’s no surprise they do a wonderful job capturing drum overheads and acoustic guitar, they work equally well on electric guitar and harmonica and the rotating head allows the mic to be easily placed in positions not possible with fixed position microphones.

Does Bluebird mic require phantom power?

Bluebirds require +48V Phantom Power, which most mic preamps or mixing consoles can provide. You will need a separate +48V power supply if your console input or preamp does not provide enough phantom power.

How can I turn on my Bluebird microphone?

Connect the Bluebird SL’s output jack to the female end of the balanced XLR microphone cables. Connect the male end of your balanced console input or balanced microphone preamp input.

Turn on the phantom powered. Adjust mic preamp gain to adjust for any previously muted signal paths.

What are polar patterns for microphones?

Polar patterns are the sensitivity of a microphone to sounds coming from different angles. They also refer to the microphone’s sensitivity to sound arriving at its central axis.

As you can see, the polar pattern’s shape touches the outermost circle at zero degrees and falls below -5dB at the 90- and 270-decibel levels.

How can you use a Bluebird microphone?

Connect the Bluebird SL’s output jack to the female end of the balanced XLR microphone cables. Connect the male end of your balanced console input or balanced microphone preamp input.

Turn on the phantom powered. Adjust mic preamp gain as needed and un-mute any previously muted signal pathways.

Do I choose a condenser or dynamic mic?

A condenser microphone and a dynamic microphone are different in that a condenser microphone can capture higher frequencies and more delicate sounds (e.g., studio vocals).

What is the problem with USB microphones?

Because it is not just a microphone but a mic + amp + preamp + D/A converter, USB mics can often be less effective. The electronics can bleed if all of this is packed into a tiny space. They will work well if you get a better brand USB microphone.

What are the working principles of pop filters?

Pop filter, pop shield, or pop screen are noise protection filters for microphones. They are usually used in a recording studio. It reduces or eliminates popping sounds from the mechanical impact of fast-moving air on the microphone during recording speech and singing.


After testing this Blue Hummingbird Mic, we can say that this is a high-quality professional mic. It is straightforward to use and simple to pair with any smart device or recording device.

It making it perfect for any instrument with fast transients and rich tonal characteristics. It sounds fantastic and clear, and the mic doesn’t sound like cheap plastic.

The sound and the microphone are perfect for studio recording and podcasting. The build quality of this mic is outstanding and sturdy. It has an excellent finish, and it can withstand all kinds of weather.

This Blue Hummingbird Mic comes with a one-year warranty, and Blue Microphones offer full support. So if you have any questions, please comment below.


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