If you are looking for a microphone for your podcast, business, or group calls, the Re20 might be the one for you. The Re20 is unlike many other mics because it does make your voice sound crisp and clear.
The microphone can listen to what you are saying in a call to work well for group calls. You can also use the microphone to record your own voice or music. If you do not like how their voice sounds in audio, or if you feel like you can hear your instrument over it, then this is probably the microphone for you.
Read this RE20 microphone review for more details and information about this affordable, portable microphone. It will help you make an intelligent choice to choose your suitable microphone.
What is Electro-Voice RE20?
The RE20 dynamic microphone is a premium, high signal quality microphone that can record voice. This could be voice-over work, singing, or in our case, podcasting.
Dynamic Mics and Condenser Mics
These terms are used to refer to the mic’s build and function. How a mic works and how it is constructed.
Condenser microphones are known for producing better and more nuanced vocal recordings. The Over-sensitivity of condenser mics can be a curse in the wrong environment. They are also more sensitive and need a source of power known as Phantom Power to function.
A dynamic microphone is usually the opposite of the previous. Although they will have less nuanced, dynamic mics can still perform well in less-optimal environments. They are also more durable and don’t require Phantom Power to function.
Dynamic mics can produce more noise underneath recordings because they are powered directly by the device they plug into (a mixer, digital recorder, etc.). You might hear a slight hissing, hum, or buzz. This is simply the sound of equipment working together.
These descriptions are pretty stereotypical and highly model-dependent. When recording vocals, a dynamic microphone with a mid-to-high range will outperform a condenser mic. it’s better to use a dynamic mic than a cheap condenser mic.
Pros And Cons
- Variable D
- Very versatile
- Brilliant and smooth Sound
- Bass Roll-Off Switch
- Best Uses
- Radio broadcasting
- Podcasting / YouTube
- Kick drums/ Bass Instruments
It boasts a studio-condenser-like sound that is unique and powerful at the same time in the Electro-Voice RE20 dynamic cardioid microphone. It is a remarkable device and was initially designed to compete with condensers used in vocal recording studios. The Electro-Voice RE20 delivers powerful and smooth sound, thanks to its frequency response tuned to the speaker’s voice.
A large diaphragm and humbucking coils ensure a precise tone. It doesn’t matter if your voice is up or down when using this large-diaphragm microphone.
You will have an incredible voice and a strong vocal presence. You can also use the bass-cut and bass roll-off switch to reduce deep bass frequencies (lower frequencies).
If you have ever experienced problems with the proximity effect, I would like to share one of the best features of the Electro-Voice RE20 with you.
Your voice will not vary depending on how much you lean in or out. The Electro-Voice RE20 uses a true cardioid pickup pattern, which is familiar with broadcast microphones.
It has been tested to show that it doesn’t get color off-axis at 180°, which shows how strong the cardioid mic is. This means that you can hear sounds from the front and block background noises from the rear.
The Electro-Voice RE20 pop filter is a great one. Although I usually wouldn’t say I like internal pop filters, the RE20 was pleasantly surprised. After so many tests, my external filter didn’t seem to be necessary. An internal shock mount can be used, but I strongly recommend an external mounting system or boom stand.
The Electro-Voice RE20 mic was initially designed for studio and film recording. It is now a versatile recording device. Today, microphones are used most frequently in the broadcast.
It is the best choice for people who use the spoken word because it can be tailored to the human voice. It is highly recommend if you are planning to do a podcast or radio broadcast show.
This nice mic is the preferred choice of a podcast member, and they sound great with it. It is a great microphone for voice-over, vocal presence, YouTube, and live stream.
The Electro-Voice RE20’s clear voice will allow you to make a solid vocal impression without having background noise. The Variable-D, which we discussed earlier, gives you more flexibility and allows you to move while your audience hears what you are saying.
But that’s not all! Not by a long shot! The Electro-Voice Re20 can record loud audio sources with no distortion thanks to its high SPL (high Sound Pressure Levels). The detailed frequency response allows for the recording of a wide variety of sounds with incredible clarity.
You can also use the low pass filter feature to reduce the volume of your kick drum, acoustic guitar, or brass instruments.
One such mic is the Electro-Voice RE20 dynamic mic, which defies stereotypical ‘dynamic vs. condenser‘ descriptions.
It produces one of the most complex vocal recordings I have ever heard on any mic. However, it retains all the traditional benefits associated with a dynamic model.
It is due to several factors. One of these factors is a wide frequency range (it can hear more) and an excellent transient response (how it reacts to changes in the recording studio).
It features a Cardioid Polar pattern. This design eliminates any unwanted sounds around the microphone. It is focused on the person speaking in front of it. It can be tolerant if you do move around while talking. It’s easy to stay on-mic.
The RE20 is close but delivers the best sound quality, even when close to the listener. Phantom Power can cause distortion and overload at high levels of sound pressure. The steel casing makes it feel heavy and sturdy. Another important aspect worth noting is the RE20 has an XLR connection. This is another essential feature to be aware of.
This means that mixers, interfaces, and recording devices are required. Electro-Voice RE20 stated that the microphone would work perfectly in humid conditions and at high temperatures, which could seriously damage or degrade other condenser mics.
An additional low cut switch low-cut filter protects against this type of distortion. A USB adapter is not required to connect computers to USB microphones.
The Electro-Voice RE20 is a great example. It defies the stereotypical distinctions between the condenser mics and dynamic microphones.
These were dynamic broadcast mics, but they can still record very nuanced vocals. It has a broad frequency range to hear more and a fast transient response to react to changes in the source material. The wave pattern is cardioid.
This design prevents unwanted noise from being around the microphone. The only thing it is focused on is the voices in front of it. It’s pretty forgiving, even though you might move around while you speak. It’s easy to keep your eyes on the microphone. The RE20 is a higher quality mic than their cheaper models.
The attractive steel chassis has a champagne finish and a large grille that occupies most of the front panel. Although it is functional, it does feel a little bit stylish. Considering that this mic is industry-standard and is priced accordingly, it is of excellent build quality. Its robust design and weight of 1.6 lb will make any studio recording feel confident.
The heart of the Electro-Voice RE 20 is made up of moving coil capsules and humbucking coils. Because of its fixed cardioid pattern, there are no colors that go off-axis at 180°.
This mic also features an internal pop filter and Variable-D technology that minimizes the proximity effect, the sweet spot is very big. So you don’t need to buy your own external filter.
This single mic has only one switch, unlike many other dynamic mics: the bass roll-off as well which is great for cutting low frequencies. It comes with a mic stand clip for mounting the microphone and a softshell case that can be used to store it. It’s easy to see why this microphone is so popular among broadcast studios.
RE20 is the industry standard for sound quality. Although it is not as expressive or transparent as a condenser microphone, it can be one of the most affordable than many mics. It is portable and produces a great signal that can be used for podcast or radio series. It really doesn’t sound bad on anything.
As mentioned, it was originally developed to compete with the rising number of condensers being found within every recording studio, and the level of performance is outstanding.
Its ability to that offers maximum background rejection is the best thing about it, regardless of its reasonable price. It is essential to clean up live recordings to avoid ambient noise from the street or in a radio stations room.
This is especially true for venues far from studios. Because of one factor, the coil in dynamic microphones is less sensitive to electromagnetic interference. Condenser microphones can be more complex and complicated to engineer, podcast host. Professional studio microphones, however, use hum backing coils to reduce the induced room noise.
The electro voice RE-20 capsule has a thicker foam inside than the RE 320. This gives it more damping, in addition to the massive dynamic diaphragm. The RE-20 capsule may appear darker and weaker than its counterpart, but this shouldn’t be a deterrent.
The RE-20 performs better in terms of signal quality and maximum background rejection, which separates high-end broadcast mic. It sounded great being industry standard for a long time.
Although the RE320 can be a good mix, especially if it has a brighter tone than the RE-20, the RE-20 sounds better in the end.
RF interference is another reason why people use dynamic broadcast mics since radio stations with powerful transmitters can cause RF interference in their environment. The mic body and grilles shield the object better than a tank, and the RE-20’s metal housing has more depth.
Without a pop filter, it was nearly impossible to hear pop/plosives. This score didn’t match my expectations. Despite its vulnerability to plosives, it still received a lot of p-pops, though not as subtle as the Rode NT2-A.
This is a critical area where the RE20 broadcast mic shines. After a while, I was able to move my mouth a bit further away from the microphone. The p-pops vanished. For a few reasons, a plosive (p–pop) response is better.
Plosive-hunting normally takes a large portion of my time, so this is a great time saver for me! The variable-D response was one of the earlier designs. It also comes with a heavy-duty pop filter.
You can buy an Electro-Voice RE20 on Amazon for as low as 400 pounds, regardless of whether you pay in dollars or pounds.
This amazing mic is not intended to be used as a beginner microphone. The extra cost of your complete podcasting equipment set-up is not nearly $400. The RE20 electro voice is designed for most podcasters who have been in the business for some time and are ready to take their podcasting to the next level.
The Electro-Voice RE20 is certainly the right choice for those who have been creating audio for a while, have a large budget, or create highly produced content.
Rode Procaster, Shure sm7b is of course a very similar microphone to the Electro-Voice RE20. From the design to the different applications, we’re looking at a large & powerful broadcasting microphone for podcasts. We chose it as our first (and best) alternative for those looking to save a little bit of cash while still gaining
Are vocals possible with the RE20?
This mic is excellent for voice-over in a home studio setting. The Electro-Voice mic can reject a lot of sound from behind it. You can get deficient noise levels with minimal acoustic treatment. This mic has a warm, clear, rich, deep sound and detailed tone.
How much do RE20s need to gain?
The speaker should be placed two inches away from the microphone so that it faces straight at you.
Does the Electro-Voice RE20 Dynamic mic require a shock mount?
Two essential accessories are required for any broadcast professional: the 309A shockmount and the WS-PL2 windscreen.
Does Electro-Voice RE20 need phantom power?
They will have slightly less nuance, but they can still perform well in less-optimal settings. They are also more durable and don’t require Phantom Power to function.
The RE20 is a versatile vocal microphone that is well worth its price. It can capture everything you say with absolute clarity, allowing it to be used for various purposes, including voice memos and voice-overs.
The fact that it is compact and portable also makes it ideal for amateur musicians who want to play their instruments without wearing earphones.
Fairly Compared to this, Hooke Audio can conclude that the RE20 is a very suitable alternative for its price tag and with excellent performance. If you’re interested in finding out more about the RE20, you can read this user’s review today.
With the information mentioned above, you will learn more about the best microphones for recording purposes. This will help you make an informed decision on what kind of microphone works equally as well for your needs.